JOHN CLAYTON jr.
Biography
He's nothing short of amazing. Between
composing, arranging, and conducting, as well as being a superb bass player in both the
jazz and symphonic idioms, who knows where his talent ends? John Clayton can go just about
anywhere from here."
- Johnny Mandel
Double bassist John
Clayton has gained prominence as performer, composer, and arranger in both the jazz and
classical fields. Leonard Feather of the L.A. Times has proclaimed him "a
phenomenon" whose "intonation, musicianship and wealth of ideas reflect his
broad experience."
After studying bass under
the esteemed Ray Brown, John was bassist for the television
series "The Mancini Generation" following which he toured and recorded across
the world with jazz pianist Monty Alexander. He then began a two year association with
Count Basie and his orchestra as a player, while developing his compositional and
arranging skills.
John relocated to Los
Angeles in 1984 following five years as principal bassist with the Amsterdam Philharmonic
Orchestra. He currently conducts, composes, and co-leads the Clayton-Hamilton Jazz
Orchestra, receiving a 1991 Grammy nomination for his composition "Brush This"
from "Groove Shop" (Capri), their debut recording. Enthusiastic popular and
critical acclaim for "Heart and Soul" (Capri), the Orchestra's second release,
continues to enhance John's sterling reputation as multi-faceted jazzman extraordanaire.
1991 also was the year
that John's stirring arrangement of "The Star Spangled Banner" for Whitney
Houston resulted in the fastest selling single in the history of Arista Records.
In addition to
establishing himself as a studio session player, performing with various small jazz
groups, and conducting and arranging for notable performers such as Carmen McRae, Nancy
Wilson, Joe Williams, Ernestine Anderson, and the Tonight Show Band, John also teaches at
USC and has been music director for several jazz festivals. Recently he highlighted his
classical skills by composing for the Northwest Chamber Orchestra and conducting his own
and other classical jazz works with the Iceland Symphony Orchestra.
The esteem in which his
peers hold this multi-talented artist is evidenced by his recent election as president of
the 1.500 member International Bassist Association. As Leonard Feather attests while
recognizing John as "one of the six best possibilities to assume the mantle of Miles
Davis," John Clayton Jr. is "rapidly becoming one of the most internationally
respected bassists and composers, with good reason."
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